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Bomethius

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    • New Single

Concerning inadiquit

“Experimental and masterful … a showcase for what’s to come in the Bomethius discography … the most challenging album he’s produced so far.”
—
Atwood Magazine
(8.3/10)

 

“A relevant piece of art that emphatically deserves your time.”
—
A Diverse Sound

 

“The definitive work from Bomethius. … He delivers on his heady concepts, both lyrical and compositional, through a progressive baroque-pop vessel that’s as ambitious as it is humble.”
—
We Are Mirrors (8.5/10)

Concerning Sweet Nothings

“A folk masterpiece hiding in plain sight … aesthetically reasoned and agonizingly deep ... a glowing path through the darkness … 10/10.”
— Atwood Magazine

“Metaphorical and musical brilliance.”
— BuzzMusic

“Artful expressive melancholy ethereally creeping enough to make David Lynch himself want to prick up his ears.​​​”
—  A&R Factory

“At once incredibly charming and almost uncomfortably relatable … records like these can keep us hoping and searching.”
— A Diverse Sound

“Incredibly beautiful music.”
— The Album Effect

Concerning As Roses

“As Roses is nothing short of marvelous. If you’re looking for something unique and a little life-affirming I highly recommend picking this up.”
— A Diverse Sound

Concerning Intimatitudes

“But there’s little question in Intimatitudes: Hodges is Bomethius the speaker, and his grand abstractions are a fig leaf he winks at cartoonishly. He hopes you get the joke. It’s not funny.”
— We Are Mirrors

“Intimatitudes is a swirling Dichterliebe of regrets, heartache, and other species of despair, at once shot through with a sly, sideward wink: the Poet is performing his role, and reveling in the portrayal.”
  — Zack Wallmark

 

Full Length Reviews

Review: Sweet Nothings (By David Mead)

Sweet Nothings is the third official album from Bomethius—alias Jonathan Hodges, presently from Dallas. A multi-instrumentalist who completed a degree in violin performance last year at Southern Methodist University, he produced nearly every sound you’ll hear in these recordings himself…

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